Liz Hickok
Selected By: Rixon Reed, Director, Photoeye
Books and Print,
Santa Fe, New Mexico,
United States
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MOLDS AND MODELS
Liz Hickok is an artist who, dare I say, likes to have fun
making art. Hickok’s amazing images of a colorful San
Francisco constructed from Jell-O are full of childhood’s
wonder. Around every corner and down every street,
you can see evidence of her delight in producing this
work. From the models she has intricately and obsessively
crafted to the adept piecing together of blocks of
skyscrapers and neighborhoods of Victorian houses, it’s
clear that she approaches the challenge of making art
with a child’s eyes and vivid imagination.
It’s the nighttime, romantic, jazzy city that is most attractive
to Hickok, with San Francisco in her hands echoing
New York as envisioned by Red Grooms. Then there are
the Telegraph Hill and Twin Peak neighborhoods, Coit
Tower looking a bit flaccid, the Marina district with the
Palace of Fine Arts, and downtown San Francisco with
its buildings floating in a sea of fog alongside the fantastically
lit Bay Bridge, all with their colors glowing as
a result of being expertly lit from below.
San Francisco in Jell-O is a wonderfully wacky, expressionistic
interpretation of a city prone to, appropriately
enough, being shaken. There’s even documentation of
an occasional tremor rippling through the work in the
various short videos Liz Hickok has produced, viewable
on her website.
And what might photography have to do with all of this?
Apart from its use in the straight documentation of the
installations, photography allows Liz Hickok to play
with the city’s inevitable decline. After only a week of
existence at room temperature, those luminously colored
cityscapes begin to lose their vibrancy. In its decline,
an Francisco becomes misshapen, then takes on new
life as it hosts a further inhabitant, a spectacular kind
of mold. Ms. Hickok’s photographic interpretations serve
as the only record of the decay of each gelatinous culture
and perhaps even as a metaphor for our time.
- Rixon Reed
BIOGRAPHY
Liz Hickok is a San Francisco-based artist working in photography,
video, sculpture, installation, and now Jell-O. She earned
a B.F.A. at the School of the Museum of Fine Arts, Boston, and
a B.A. at Tufts University in Medford, Massachusetts. Hickok
lived and worked in Boston for over ten years before moving to
the San Francisco Bay Area. She received her M.F.A. from Mills
College, Oakland.Hickok’s artwork has been exhibited across
the country and is included in international collections. Her
photographs and video have been shown in many Bay Area
venues, including the Yerba Buena Center for the Arts and
Southern Exposure, both located in San Francisco; San Jose
Museum of Art and Works/San Jose; Headlands Center for the
Arts, Sausalito; and Kala Art Institute, Berkeley. Her work has
also been exhibited at the Center on Contemporary Art, Seattle;
Arts & Literature Laboratory, New Haven; and Ha’Kibbutz
Israeli Art Gallery, Tel Aviv. Hickok’s San Francisco in Jell-O,
installed at Pittsburg State University, Kansas, has become a
popular media subject, with coverage in The New York Times,
Harper’s, San Francisco magazine, Gastronomica, 7X7 magazine,
and Artweek, where it appeared on the cover. She has
been featured on national and local news and radio programs,
including The CBS Early Show, Offbeat America (HGTV), Spark*
(KQED), All Things Considered (NPR), and Talk of the Nation
(NPR). Hickok also appeared on the Food Network Awards
Show, where she won an award for “Best Use of Food as Art
Medium.” Hickok has created elaborate installations for the
Headlands Center for the Arts and the Exploratorium, San
Francisco, as well as in Scottsdale, Arizona, through the Scottsdale
Public Art Program.